- DEPARTMENT OF INSTRUMENTAL STUDIES
Table 2.1. Learning outcomes of the study programme
Name of the study programme: Undergraduate University Study of Composition and Music Theory, Specialization in Composition
Learning outcome of the study programme | 00054 | 00055 | 00056 | 00057 | 00058 | 00059 | 00060 | 00061 | 00062 | 00063 | 00064 | 00065 | 00066 | 00067 | 00068 |
Courses (obligatory) | |||||||||||||||
Composition I | x | x | x | x | x | x | x | x | x | x | x | ||||
Composition II | x | x | x | x | x | x | x | x | x | x | x | ||||
Composition III | x | x | x | x | x | x | x | x | x | x | x | ||||
Composition IV | x | x | x | x | x | x | x | x | x | x | x | ||||
Composition V | x | x | x | x | x | x | x | x | x | x | x | ||||
Composition VI | x | x | x | x | x | x | x | x | x | x | x | ||||
Piano for Nonmajors I | x | x | x | x | x | x | x | x | |||||||
Piano for Nonmajors II | x | x | x | x | x | x | x | x | |||||||
Piano for Nonmajors III | x | x | x | x | x | x | x | x | |||||||
Piano for Nonmajors IV | x | x | x | x | x | x | x | x | |||||||
Piano for Nonmajors V | x | x | x | x | x | x | x | x | |||||||
Piano for Nonmajors VI | x | x | x | x | x | x | x | x | |||||||
Harmonic Solfeggio I | x | x | x | x | x | ||||||||||
Harmonic Solfeggio II | x | x | x | x | x | ||||||||||
Solfeggio – Rhythm I | x | x | x | x | x | ||||||||||
Solfeggio – Rhythm II | x | x | x | x | x | ||||||||||
Polyphonic Solfeggio I | x | x | x | x | x | ||||||||||
Polyphonic Solfeggio II | x | x | x | x | x | ||||||||||
Polyphony until the Baroque | x | x | x | x | x | x | x | x | |||||||
Polyphony in Baroque Music | x | x | x | x | x | x | x | x | |||||||
Polyphony in Classical and the Romantic Era | x | x | x | x | x | x | x | x | |||||||
Polyphony in the 20th Century | x | x | x | x | x | x | x | x | |||||||
Harmony of the Baroque | x | x | x | x | x | x | x | x | |||||||
Harmony of Classicism | x | x | x | x | x | x | x | x | |||||||
Harmony in the Romantic Era 1 | x | x | x | x | x | x | x | x | |||||||
Harmony in the Romantic Era 2 | x | x | x | x | x | x | x | x | |||||||
Harmony in the 20th Century I | x | x | x | x | x | x | x | x | |||||||
Harmony in the 20th Century II | x | x | x | x | x | x | x | x | |||||||
Analysis of Musical Forms I | x | x | x | x | x | x | x | x | |||||||
Analysis of Musical Forms II | x | x | x | x | x | x | x | x | |||||||
Musical Instruments | x | x | x | x | x | x | |||||||||
Orchestral Partition Reading I | x | x | x | x | x | x | |||||||||
Orchestral Partition Reading II | x | x | x | x | x | x | |||||||||
Music History until 18th Century | x | x | x | x | x | ||||||||||
History of 18th Century Music | x | x | x | x | x | ||||||||||
History of 19th Century Music | x | x | x | x | x | ||||||||||
History of 20th Century Music | x | x | x | x | x | ||||||||||
Recording and Production I | x | x | x | x | x | x | x | x | |||||||
Recording and Production II | x | x | x | x | x | x | x | x | |||||||
Music Industry Basics | x | x | x | x | x | x | x | x | |||||||
Interpersonal Communication I | x | x | x | x | x | x | x | x | |||||||
Interpersonal Communication II | x | x | x | x | x | x | x | x | |||||||
Cultural Management I | x | x | x | x | x | x | |||||||||
Cultural Management II | x | x | x | x | x | x | |||||||||
Marketing and Art | x | x | x | x | x | x | |||||||||
Concert Management I | x | x | x | x | x | x | |||||||||
Concert Management II | x | x | x | x | x | x | |||||||||
Project Courses | x | x | x | x | x | x | x | x | x | ||||||
English Language I | x | x | x | x | x | ||||||||||
English Language II | x | x | x | x | x | ||||||||||
English Language III | x | x | x | x | x | ||||||||||
English Language IV | x | x | x | x | x | ||||||||||
Physical Education I | x | x | |||||||||||||
Physical Education II | x | x | |||||||||||||
Physical Education III | x | x | |||||||||||||
Physical Education IV | x | x | |||||||||||||
Final Exam I | x | x | x | x | x | x | x | x | |||||||
Final Exam II | x | x | x | x | x | x | x | x |
Table Legend:
IU Label | Description of Learning Outcomes |
00054 | Independently use aesthetic and stylistic features of music in own musical expression |
00055 | Apply compositional skills and knowledge in preparing covers and arrangements for solo instruments, chamber ensembles and orchestras |
00056 | Create pieces of music with different stylistic features and forms, from renaissance to contemporary |
00057 | Communicate with experts and laymen about different aspects of musical and historical styles and forms in official and foreign languages |
00058 | Analytically recognize musical and theoretical elements through auditory and visual perception of musical features |
00059 | Independently create scores for own compositions using computer programmes |
00060 | Create rehearsals of own compositions to prepare for a public performance or recording |
00061 | Perform own composition through independent reproduction |
00062 | Organize the programme and funding of own projects – – cultural events that enrich the cultural life of the community |
00063 | Lead and produce music radio shows and pieces of music in a sound studio |
00064 | Write reviews on cultural and musical events, and essays on music and composers from all periods and styles of classical music |
00065 | Efficiently plan and organize own independent and mentoring educational activities and professional engagements |
00066 | Take ethical responsibility for independent and team work in the working environment/concert hall |
00067 | Cooperate, actively solve problems and make decisions in interdisciplinary and multicultural teams |
00068 | Study different aspects of the art of composition and develop learning skills needed for continuing one’s studies at a higher level |