- DEPARTMENT OF THEATRE ARTS
Name of the study programme: Undergraduate University Study of Acting and Puppetry
Learning outcome of the study programme | 00159 | 00160 | 00161 | 00162 | 00163 | 00164 | 00165 | 00166 | 00167 | 00168 | 00169 | 00170 | 00171 | 00172 | 00173 | 00174 | 00175 |
Courses (obligatory) | |||||||||||||||||
Acting 1: Working with Oneself | X | X | X | X | X | X | |||||||||||
Animation: Body Parts and Objects | X | X | X | X | X | X | X | X | |||||||||
Movement 1: Working with Body | X | X | X | X | |||||||||||||
Speech 1: Voice Impostation | X | X | X | X | |||||||||||||
History 1: Ancient Greece and Rome | X | X | X | X | X | ||||||||||||
Aesthetics of Puppetry 1 | X | X | X | X | |||||||||||||
Physical Education: Acrobatics | X | ||||||||||||||||
English Language | X | X | |||||||||||||||
Acting 2: Working with a Partner | X | X | X | X | X | X | |||||||||||
Animation: Hand and Mimicry Puppets | X | X | X | X | X | X | X | X | |||||||||
Movement 2: Working with Partners and Props | X | X | X | X | |||||||||||||
Speech 2: Group Speaking and Hexameter | X | X | X | X | X | X | |||||||||||
History 2: Middle Ages and Renaissance | X | X | X | X | X | ||||||||||||
Aesthetics of Puppetry 2: World Puppetry | X | X | X | X | |||||||||||||
English Language II | X | X | |||||||||||||||
Acting: Character (Biography) | X | X | X | X | X | X | X | ||||||||||
Animation: Rod Puppet | X | X | X | X | X | X | X | X | X | ||||||||
Movement 3: Introduction to Ballet and Historical Dance | X | X | X | X | X | ||||||||||||
Speech 3: Narration and Folk Poetry | X | X | X | X | X | X | X | ||||||||||
History 3: Elizabethan Theatre | X | X | X | X | X | ||||||||||||
Aesthetics of Puppetry 3: European Puppetry up to 19th Century | X | X | X | X | |||||||||||||
English Language III | X | X | |||||||||||||||
Acting 4: Actor and Role | X | X | X | X | X | X | X | ||||||||||
Animation 3: String Puppet | X | X | X | X | X | X | X | X | X | ||||||||
Movement 4: Modernism in Dance | X | X | X | X | X | ||||||||||||
Speech 4: Reciting Fixed Verse | X | X | X | X | X | X | X | ||||||||||
History 4: From Classicism to Romanticism | X | X | X | X | X | ||||||||||||
Aesthetics of Puppetry 4: European Puppetry up to 20th Century I | X | X | X | X | |||||||||||||
English Language IV | X | X | |||||||||||||||
Acting: Acting Technique | X | X | X | X | X | X | X | X | |||||||||
Animation: The Animation in Three | X | X | X | X | X | X | X | X | X | ||||||||
Movement 5: Introduction to the Mime and Clown Theatre | X | X | X | X | X | ||||||||||||
Speech 5: Dialects | X | X | X | X | X | X | X | X | |||||||||
History 5: From Realism to the Theatre of the Absurd | X | X | X | X | X | ||||||||||||
Aesthetics of Puppetry 5: European Puppetry up to 20th Century 2 | X | X | X | X | |||||||||||||
Acting: Play in Genre | X | X | X | X | X | X | X | X | |||||||||
Animation 6: Combined Techniques | X | X | X | X | X | X | X | X | X | X | X | ||||||
Movement 6: Form, Style, Genre | X | X | X | X | X | ||||||||||||
Speech 6: Reading Literary Prose | X | X | X | X | X | X | X | X | |||||||||
History 6: Modernism and Postmodernism | X | X | X | X | X | ||||||||||||
Aesthetics of Puppetry 6: Croatian Puppetry | X | X | X | X |
Table Legend:
LO No. | Description of Learning Outcomes |
00159 | Identify and name dramatic and speech acts in drama situations. |
00160 | Analyse and under pedagogical guidance create a drama situation. |
00161 | Organize and discuss a partnering and collective game in the interaction with others. |
00162 | Identify and develop speech and movement techniques in order to master the acting technique. |
00163 | Assess and expand the limits of one’s own speech apparatus. |
00164 | Under pedagogical guidance, communicate with the stakeholders from the real sector in order to carry out artistic and cultural projects. |
00165 | Independently practice the basic puppetry techniques and use the acquired knowledge in specific tasks. |
00166 | Animate the basic puppetry techniques and under mentor guidance resolve potential dramaturgical problems of simple puppetry productions. |
00167 | Create a simple source literary text and based on one’s own knowledge and under mentor guidance, deal in the small form of puppet theatre with a selected cultural-artistic and/or social phenomenon. |
00168 | Integrate basic elements of puppetry language into the process of working on simple puppetry forms. |
00169 | Understand and explain movement in performance (its origin, motivation, quality, and potential meanings). |
00170 | Select and use movement options creatively, taking into consideration time, space and strength factors. |
00171 | Do research and discuss theatre arts in speech and writing in one’s mother tongue and in a foreign language. |
00172 | Complete practical and theoretical assignments in a timely and responsible manner in order to actively solve problems in interdisciplinary and multicultural teams under pedagogical guidance. |
00173 | Define the occurrence and development of epochs in relation to given economic, social and political situations. |
00174 | Analyse the conventions of writing, work, form and theatre, as well as the contents from historical-theatrical, theoretical-theatrical, fine art-theoretical and historical-artistic fields. |
00175 | Critically assess in both speech and writing drama works and different primary and secondary theatrical sources. |